(Edited by Brad Minus) The Decision My 3 years of running experience started with multiple injuries including a couple of ankle fractures. However, I still managed to complete a marathon, a 50K and...
It seems that I cannot turn on a radio, browse the internet or watch the news without hearing a story about a celebrity scandal. It doesn’t matter if it’s a movie star, pop star, hotel heiress or a political figure, for some reason when a person gains that much fame, they feel invincible.
It seems like these situations have been occurring forever, doesn’t it?
Jersey Boys, at the Straz Center in Tampa, Florida, told the history of the famous Four Seasons pop group and all of the so-called “situations” they were in. Frankie Valli, Nick DeVito and the founder, Tommy DeVito. were four stereotypical New Jersey kids that wanted a way out. As juveniles and young adults Tommy and Nick were in and out of trouble with the law, until Tommy decided to start a group that took different
The play brilliantly portrays the history of The Four Seasons in four parts, with each part
narrated by a different member of the band and supposedly reflecting that band member’s perspective on the band’s history. Most of the big hits of the group are sung either in episodic situations or portraying the band on stage either in concert or on television.
A huge surprise to me, was when I opened the program and found the roll of Frankie Valli is portrayed by Hayden Milanes. Hayden and I performed together in a couple of different shows in another life. Without any bias, Hayden’s performance was nothing short of amazing. The song “Big Girls Don’t Cry”, made Frankie Valli’s extraordinary range famous and Hayden seemed to recreate it with ease. Personally, I think the amazing richness in his vocal quality followed with his research of the character honored Mr. Valli to the extreme.
What was even more amazing is Hayden’s talent was only matched by the other members of the ensemble. Nicolas Dromard portrayed Tommy DeVito with the crassness and overpowering attitude of a bully, and sang the harmonies with excellence.
Adam Zelasko portrayed Nick with the quiet determination of the performer that took the back seat a lot of the time, but always tried to help his brother keep it together. Adam’s voice was powerful and played homage to Nick and the rest of the group with perfection.
The biggest corner was turned when the group was joined by Bob Guido, played by Quinn VanAntwerp. I am not a fan of giving extra praise to one actor or another, especially in a show that is ensemble driven, but as amazing as the other members of the group were, Quinn’s acting ability gave him a stage presence that just could not be matched. His singing had this subtle quality, that foreshadowed his actions in the coming scenes. Quinn was nothing short of brilliant which is saying something because all of the actors on stage were amazing.
Another character worth noting was Bob Crewe, the producer that put and kept the Four Seasons working and famous. Barry Anderson’s gifted portrayal of Bob was nothing short of fantastic. Even as a featured actor, he had a command of the stage that allowed him to stand out in the scenes that he was in.
The rest of the actors completed the ensemble with perfection. A few of the actors had multiple roles, and were played with such finesse that it was not apparent unless you read the program.
With all the well deserved accolades I have given Jersey Boys, I did notice a few problems from my orchestra seat. The balance of the microphones seem to be off when transitioning from singing to dialogue as there were several points where it was hard to hear.
The direction while good, had some unusual placement of the actors. There were times when I really needed to see what the actor was feeling, but their back was to the audience. Every novice director is taught to position the actors to face front as much as possible, but in the professional arena, those rules are thrown out the window in order to make room for new visions, art and realism. Unfortunately, there were a few moments where if this rule would have been applied it would have made for even stronger moments within the show.
Lastly, one of the designs I absolutely loved about the show were the sets. They were simple, and clean which allowed for the acting and singing to take center stage without focus going to some special effects. The sets were so simple the actors were even tasked with bringing furniture and props on and off the stage. I haven’t such simplicity since “Spring Awakening”. It added to the charm of the show.
All-in-all, this show is worth seeing. So many times national tours come through Tampa and just look tired. This show is incredibly energized and fun to watch.
A MUST SEE!
I was courted to review Flashdance: The Musical at the Straz Center for their opening night on Tuesday, but other commitments kept me from attending. Rather than give up my tickets and sacrifice a review I sent volunteers, Mrs. Miranda Lessie, Mrs. Amy Eck and Bennett Eck in my place.
This is my first Guest Blog as it is written by Miranda Lessie.
Flashdance: The Musical – Straz Center for the Arts, Tampa Florida. 19 Feb 2013
Move over Las Vegas, there is a new party in town and it’s called Flashdance. Can you remember the iconic water works scene in the original movie? You won’t have to imagine it for long once you sit down for this new musical.
If you love the 80’s music, hair styles, dancing and most of all the legwarmers, you will be right at home with this production. Even if you don’t adore these things, you will find yourself moving to the live orchestra which sounding more like an 80’s hair band than an orchestra. Perfect for this play.
The play starts off with a running start and gets right into the story line. It was a fast start for me who prefers more of a background building and character development. Once all the characters were introduced throughout the play, the story line begun to come alive and I fell in love with each character. Kudos to the Casting director who found the perfect character for each performer whom seemed to have been born to play their particular part. The leading lady Emily Padgett was a dead ringer for the original movie character.
I found some characters had a shaky start with their first song but each ended with a bang. The singing in the play was equal to, if not better than, the dancing. All the performers were superb singers, dancers and actors.
The set and lighting was a plus for this play. I never questioned what location we were at in the play because there was a huge display at the top of the stage at every scene change. My only question about the set is “just how did they do that water dance scene?” It was so perfect.
Costumes were exquisite but not over the top. They were very believable for the time period. They were also just on the edge of being rated a little more than PG-13. The language was appropriate for this type of play and slang was kept a very minimum.
As I walked out of the playhouse, I wondered why I didn’t attend more productions. I absolutely fell in love with this medium and will be back soon. The actors made this play but the scene and music made the actors. ~ Miranda Lessie
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The Tampa Bay Bloggers had an opportunity to see Elf the Musical on opening night and as a new member I was thrilled at the chance to take part. Now as I am a new member I am not sure of the background of my fellow bloggers, but I do have a modest amount of training and experience in theater (www.bradminus.com), so I may be just a tad more specific especially on the acting, but nevertheless I hope my review will be informative enough to help you decide whether to see it or not. Just a little foreshadowing….go see it.
Elf the Musical is based on the 2003 holiday movie Elf starring Will Farrell about a human baby who found his way into Santa’s bag during his Christmas visit to a local orphanage. Since the boy was already an orphan, Santa and his elves decided to raise the child at the north pole just as they would any elf child. The problem was Buddy, the human boy, grew to be over six feet tall. After a small slip of the tongue by one of the other elves, Buddy learns that he is indeed human and asks Santa about his parents. It is then that Buddy decides to go and find his father in the big city of New York.
NETwork Presentations LLC’s production of this family Christmas musical was alive with high energy musical numbers, colorful set pieces and smooth transitions from scene to scene. In the past decade or two, Broadway and national tours have started to move toward high tech sets and stage work which include hgh intensive set changes, creative light and sound effects, and even some pyrotechnics. Very recently I have noticed a small shift back to a more classical route where the set pieces are simple but painted well, the lighting is simple and the music and sound are achieved by a live orchestra instead of musical tracks. This musical is a perfect example. This simpler style has shifted the responsibility of the quality of productions back to the performers and less to the designers of sets, sound and lighting. In my opinion it makes for a better show, but I may be a little biased.
The play opens up with Santa (Gordon Gray) sitting in his living room fighting with his television set. He opens the fourth wall and greets the audience as if we were sitting on the floor right in his living room. After subtly turning off his cell phone, he opens a book and prepares to tell us the story of Buddy the Elf. At the point the living room is whisked away to Santa’s workshop where the elves are preparing for Christmas. Gordon’s depiction of Santa throughout the play is wonderful. His energy and boastfulness helped me to get lost in the show and actually believe I was at the north pole.
Matt Kopec’s characterization of Buddy is spot on as his high energy, child like characterization makes the audience believe this six-foot boy really does believe he is an elf and is horrified when he finds out he is actually human. Matt’s singing voice is pure musical theater and was a joy to hear every time he opened his mouth. I found myself waiting impatiently for his next number.
The real treat came from the character of Jovie (Kae Hennies), who captures Buddy’s heart the moment he sees her in the office of his biological father, Walter Hobbs (Drew Culver). Jovie has to be coaxed in to singing during the number “A Christmas Song”, but when she finally decides to sing out, her voice beautifully resonates throughout the theatre and when paired with Buddy’s the duo create pure musical brilliance for any ear.
Other notable performances were by Michael, Buddy’s half brother played by Connor Barth who even as a young actor, had a mature voice for his age. He tended to get a little pitchy in the upper registers, but because of his characterization was easily missed and forgivable. Julia Louise Hosack played Emily Hobbs, Buddy’s step mother, also had a fantastic musical voice and she was able to lead Michael into musical duets that gave me the “warm fuzzies”. The connection and chemistry between these two well trained actors allowed me to believe they were really mother and son.
The only drawback of this production that tugged me out of my holiday nirvana, was the voice of Drew Pulver whom played Walter Hobbs, Buddy’s father. His performance was not inferior, it just did not mix well the rest of the ensemble in my humble opinion. It was obvious to the audience that most of the ensemble were trained in contemporary music or musical theater When Walter sang it was clearly operatic, to a point where the words were garbled and I couldn’t make out the lyrics. Unfortunately, every time he sang it was distracting and his voice did not meld with the rest of the ensemble.
This show is classical musical theatre with simply painted sets, wonderful acting, and is sure to bring a smile to you and your family should you decide to see it. It is a true Holiday treat.
Fri. 2 and 8 p.m.
Sat. 2 and 8 p.m.
Sun. 1 and 6:30 p.m.
I made it to the front of the dock where handlers had signs up with our ages and waves on them. I found my wave with ease and merged in the rest of the 40-44 males whom had last names that started with the letters I – Q. Now is when the nerves started to build up in my stomach and all the insecurities started to show their pretty little selves. “Did I train enough?” “Why didn’t I do more swim workouts?” “Why can’t I use a pull buoy?” “Should I really use a wet suit?” and the most famous insecurity that comes up before a race; “What makes you think you belong here with all these athletes?” I never can shake that one. (Read my “About” page to find out why.)
|Starting out on the bike|
|Starting the run|
Before I knew it I was at mile 3 wondering where the miles went, especially when my watch had me doing under 9 minute miles. Of course I expected that to change as my body became a little more tired and I started to walk through the aid stations. The run in Augusta is two loops around the center of town around Broad street. It was loaded with spectators and I enjoy it. Sometimes there is even some great signs that people make. I have seen some funny ones, like “Toe Nails are for sissies” and “Chuck Norris never did an Ironman”, but my favorite to this day is still “If triathlon was easy they would call it football.” That one always cracks me up. Not that it is true. Take it from someone who has attempted both American football the other football we call soccer, they both have there different definitions of tough. Triathlon is just the endurance tough because it doesn’t stop for numerous hours, where in the other kinds of football they usually only last 2-3 hours and they have these things called “timeouts”. In triathlon we don’t have timeouts, the clock doesn’t stop because you have a foul or a penalty. It just keeps going.
|The last mile
(took off my hat and
sunglasses for the picture…LOL)
The crowds seemed to have grown on my second loop and I kept my eye out for Jessica who was sporting her bright yellow tank top and green hair. It was supposed to be yellow as well, but unfortunately it didn’t work out that way. I never did see her the whole run, but nevertheless the crowd cheered everyone on. A couple of little kids were on the side holding their hands out and cheering hoping we would run by and give them a high five. There were families out just hoping to get a glimpse of their sons, daughters, husbands, wives, mothers or fathers. As I was running, my photographer’s eye kept seeing Norman Rockwell, paintings. This really was a very clean, forthright city with an old soul. I couldn’t help but smile a lot of the time, at least until mile nine. I couldn’t believe it, the plan was working just fine but at that point, cramp, side stretch…ouch. I forced myself to run until the mile 10 aid station where I walked and grabbed water and a cup of coke while breathing as deep as I could. When the pain subsided a little, I started to run only to be struck down again by the pain. I grabbed a gel packet and a salt tab hoping they would help and they did, for a short while until I arrived at the mile eleven aid station and ate an orange. At this point, I didn’t care. I had 2.1 miles left and I wasn’t stopping. If I had to leave my intestines on the sidewalk and pick them up later that’s what I was going to to. I picked up my pace, blocked out everything and headed for the finish line. I didn’t even see the mile twelve marker, but I felt the vibration of my watch which told me now I had just a little over a mile to go. I kept looking down at my watch, 12.1, 12.24, 12.35. I felt like this was the longest mile of my life, but I was wrong. I finally made it to the split. Left for the first lap and right to the finish and I was going right. Here is what turned out to be the longest stretch of the run. I had no idea that a quarter mile could feel like an eternity and when I finally did see the finish, I felt like I was in the movie; “The Shining”, when the little kid is looking down the hall and it keeps getting longer and longer? That exactly what it felt like. I looked down at my watch and noticed what it said 19:54. Crud! I wasn’t going to make it. I lifted my legs and increased my cadence just hoping I could get one little ounce of speed and I got it, but just a little too late.
|Best race of my life!|
After receiving my medal, taking a couple of pictures and having my timing chipped removed from my ankle I headed over to the refreshment tent a can of coke from this pool of ice and ran in to Russ. He told me that he finished around 4:28. This kid is a machine and that just proved it. We congratulated each other and I went over and got a massage, but not before disposing of the first coke and grabbing a second. While waiting I finished that can and by the time I finished up with Caroline, the LMT who took care of me, I felt like a million dollars. With exception of a twinge in my back, which for me is normal due to my injury, I really felt good. No pain, no soreness and due to the adrenaline still pumping from having such an awesome performance I felt like a rockstar, and I never really felt that way before.
|Beth and I|
As it turned out we all had a good race. Celeste PR’d, Chris finished under 6 hours, Bruce beat me by one second, and as it turned out Russ actually took first place in his age group and was on his way to Las Vegas, but the story of the weekend was Beth. Beth had gone through a lot just to get to the race. Besides this being her first 70.3, she never biked really prior to this year, she had an injury that kept her from running for over 3 months, so she was very freaked coming into this. Wouldn’t you know it, after having a goal of just finishing under 6:30:00, her official time was 5:47:16. We were all really proud of her. You can read all about her experiences on her blog Discom-BOB-ulated Running.